Lislegaard’s “Bellona” works in different and several media, some discursive and some non-discursive, and plays in at least three perceptible temporalities: the viewer’s body, motion graphi…
Hamel, Mary J. - Hodgson, Abraham - Tagbor, Harry - Kalilani, Linda - Ouma, Peter - Pool, Robert - Manda-Taylor, Lucinda - Chatio, Samuel - Afrah, Nana A. - Pell, Christopher - Men˜ aca, Arantza - Were, Florence